If it weren’t for her trusty Honda Prelude, Katherine
Griffin couldn’t have made her first feature film "The
Innocents," which she wrote, directed and stars in (with
real-life best friend Kama Lee). For eight months, Katherine lived in her car in San
Jose to economize while rewriting the screenplay. She also
held down three waitressing jobs to save up the money for
her 102-minute movie, which chronicles two high school
friends’ journey to learn about family secrets, the past
and true friendship. It was "Honda" - her name for the car - that greeted
Griffin at the end of a 16-hour day. Honda kept her warm
at night. And Honda that took her across the country to
her film’s set in Bloomington, IN.
Once there, Griffin put Honda to work as the craft
service car for the 20 day shoot. "Honda made my life
simple," reminisced Griffin, 26, of the car that helped her
to stockpile $30,000 of the under $100,000 budget for the
film. "I’d do it all over again if I had to." Ironically, on the last day of filming, Honda
apparently decided she’d fulfilled her cinematic duties and
let out her last vrrooom. "Films that are made like this, probably have more
passion behind them then 75% of films that are made with
everything in place," said Dances With Films Fest
co-founder Leslee Scallon. Fellow co-founder Michael Trent explained that the
festival was created to showcase undiscovered filmmakers,
including those with films lacking known directors, actors,
producers or production company financing.
"Dances With Films Festival" will screen 12 feature
films, 16 main shorts and five additional shorts, to be
shown today through Thursday at Laemmle Monica four-screen
movie theater in Santa Monica. "We wanted to make this festival a starting ground for
filmmakers," Scallon said. "In the market, filmmakers are
expected to make a masterpiece of their first film, right
off the bat. And if you don’t come out running, then
you’re discouraged. We understand that film-makers need to
grow and learn." Submissions have doubled this year to 600. Word of
mouth may have fueled the increase and success stories
didn’t hurt. The more than 6,000 people expected to attend
the 1999 festival will not see small-scale films, Scallon
emphasized."These are not gritty, hand- held films," she said.
"These are quality made productions, well-acted, with some
breathtaking cinematography. It’s one of the last
remaining festivals that goes back to the root of what
independent film festivals are about."
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